| <em>Monday</em>.—This morning we took a long ramble after breakfast, along the banks of the Maig, on which the sun shone brilliantly, making every winding distinct in the distance. There is a curious circumstance related in the Landscape Illustrations of Moore's Irish Melodies, connected with this pretty river.<br>At Bruree, in the county of Limerick, a place memorable as the scene of the last assembly or session of Irish bards in 1746, there is a stone nearly in the centre of the River Maig, on which is very rudely sculptured a cow with a calf sucking, the work evidently of a very remote age, and here accurately copied. <br>[Image: The Stone of Denial, Bruree] <br>It is called in Irish, "the stone of denial" (cloch eura), and is traditionally said to be a [p. 235] memorial of a circumstance in the life of St. Senanus, that holy man who lived on Scattery Island, and whose ungallant conduct toward the beautiful St. Canera, I mentioned when we passed near it. The occurrence to which this rude sculpture relates, is in the Acta Sanctorum, from which Moore has quoted in a note to the melody. The old latin manuscript tells us of St. Senanus<br><br>Who being bound by holy vows,<br>Was sent to tend the abbot’s cows:<br>When so it chanced one day, while praying,<br>Most fervently his bead-roll saying <br>He saw the calves by stealth approaching.<br> And on their mother’s teats fall poaching.<br>So, seeing that the rogues would bilk<br>The honest friars of their milk, <br>Away his rosary he flung,<br>To part the cattle from their young;<br>And in the ground he fixed his staff,<br>To keep each mother from her calf:<br>Thus while Senanus prayed to heaven,<br>Nor cow nor calf, from morn to even,<br>Saw he attempt approximation,<br/>Each by the staff kept in their station." [Vol. 2, pp. 234-235] |